#Fabfilter timeless 2 vs echoboy free

Choose between Stereo, Cross, Mono, Mono-L and Mono-R for the Input signal and set Feedback routing between Stereo, Cross and Mix. The bottom of the central window is where you customise signal routing. These tap positions can also be modulated, as we’ll get to shortly. Doing this doesn’t affect the repeat times of either delay line at all, but instead lets you shorten the time between dry signal and echo for L and R independently, facilitating stereo offset effects. Drag an L or R pointer to reposition those taps along the horizontal timelines, and hold Cmd/Ctrl to snap these to those note values. As mentioned, the horizontal timeline represents the current delay time as set with the Time Base and Rate parameters, with note divisions overlaid on top. The top half of Colour Copy’s green central window displays real-time visual feedback for the left and right delay lines. Over to the right, you’ve got a trio of self- explanatory controls: stereo Width amount, dry/ wet Mix, and Output (-24/+24dB) gain for setting the final level. If that gets out of control, as can easily happen, there’s a handy Panic (!) button to cut off the repeats.

Then there’s the Regen(eration) knob: raise this to progressively route the output signal back into the input for roaring feedback. It’s quite a simple approach at its core, but highly effective in use, especially when you start cranking the Input gain dial to overload the effect and start drawing out even more analogue-style goodness. In Vintage mode, the Floor toggle switch to the right adds an authentic BBD noise floor to the signal, while dedicated Brightness and Saturation controls allow you to adjust the filtering and distortion more precisely once you’ve chosen a Colour. What’s clever is that this is actually a continuous control, rather than just a selector switch: set it to a position somewhere in between two of the modes and you’re blending seamlessly between, say, the bright distortion of Sparkle and the darker, more resonant Fuzz. The main Colour knob lets you choose from five tone-shaping settings: Reso(nant), Sparkle, Fuzz, Snap and Dusk. While analog gives you the warm classic sound, the Grain option sounds more futuristic for modern producers.The Feedback Colouration section is key to Colour Copy’s distinctive sound. The simple threshold and trigger settings will sort the sounds for each effect.Īdditionally, your delay effects can be Analog or Grain types. This means that you don’t have to set up different delay sends for the same audio channel. Sounds above the threshold gets sent to one while sounds below the threshold use the other delay setting. This feature allows you to apply two different delay settings to the same audio material.Īfter setting the threshold control, it determines which sound will be sent to each delay profile. The most notable feature of this delay plugin is its 2-in-1 delay option. It works perfectly either you want to change the settings midway or you want to switch the whole plugin on/off. You can set up controls with the host automation in your DAW. You will hear the effects you apply in real-time.ĭDLY is automation compliant. The plugin does not delay in applying your controls to the sound. The colors and outlook are not conventional. You may take some time to get used to the design though.

All the knobs you’ll ever need are displayed once you open the plugin.

The DDLY Dynamic Delay interface is easy to understand and navigate. Top 5 delay VST plugins reviewed Soundtoys Echoboy #īode-Style Frequency Shifter + Analog Echo Emulation I answer this question with not one, but 5 answers.

#Fabfilter timeless 2 vs echoboy free

There are so many of these plugins everywhere, both free and paid. These days we use VST plugins to achieve delay. Is there a single song on Spotify without the delay effect?Įvery producer and mix engineer uses one form of delay or another – either on vocals or the instruments. Are you looking for the best delay VST plugins available out there? If yes, you are in the right place.